Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art
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Empire Without End - Antiquities Collections in Renaissance Rome, c. 1350-1527 (Hardcover)
Loot Price: R2,450
Discovery Miles 24 500
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Empire Without End - Antiquities Collections in Renaissance Rome, c. 1350-1527 (Hardcover)
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In the early fifteenth century, when Romans discovered ancient
marble sculptures and inscriptions in the ruins, they often melted
them into mortar. A hundred years later, however, antique marbles
had assumed their familiar role as works of art displayed in
private collections. Many of these collections, especially the
Vatican Belvedere, are well known to art historians and
archaeologists. Yet discussions of antiquities collecting in Rome
too often begin with the Belvedere - that is, only after it was a
widespread practice. In this important book, the author steps back
to examine the 'long' fifteenth century, a critical period in the
history of antiquities collecting that has received scant
attention. Kathleen Wren Christian examines shifts in the response
of artists and writers to spectacular archaeological discoveries
and the new role of collecting antiquities in the public life of
Roman elites. She discusses the exemplary and political values of
the antique celebrated in the era of Petrarch and the invention of
fictive ancient ancestors as a rationale for collecting among the
Roman nobility. She considers the unique contributions of Pomponio
Leto's Academy to the invention of the antiquarian garden and shows
how popes and cardinals came to dominate Rome's collecting scene,
paying particular attention to the theatrical performances and
banqueting rituals staged in ever larger, more elaborate sculpture
gardens. The first part of the book concludes with the Sack of Rome
in 1527, which brought about the dispersal of many of Rome's
antiquities collections.
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