Seeking to broaden current understanding of collective creation,
this edited volume situates its contemporary practice in the
tradition which emerged at the beginning of the twentieth century.
The contributors trace the aesthetic, social, and political shifts
that have marked this mode of theatre making, from mid-century
manifestations as a theatrical expression of the New Left to
present-day devising practices. With emphasis on Russia, Europe,
and North America, Collective Creation in Contemporary Performance
examines collective and devised theatre practices internationally
and demonstrates the prevalence, breadth, and significance of
collective creation in modern times.
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