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New Mansions For Music - Performance, Pedagogy and Criticism (Hardcover)
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New Mansions For Music - Performance, Pedagogy and Criticism (Hardcover)
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The essays in New Mansions for Music: Performance, Pedagogy and
Criticism look at one of the most ancient and rigorous classical
musical traditions of India, the Karnatik music system, and the
kind of changes it underwent once it was relocated from traditional
spaces of temples and salons to the public domain.
Nineteenth-century Madras led the way in the transformation that
Karnatik music underwent as it encountered the forces of
modernization and standardization. This study also contributes to
our understanding of the experience of modernity in India through
the prism of music. The role of Madras city as patron and custodian
of the performing arts, especially classical music offers an
invaluable perspective on the larger processes of modernization in
India. As the title suggests, the areas of classical music, which
were most influenced by these developments were pedagogy or modes
of musical transmission, performance conventions and criticism or
music appreciation. Once the urban elite demanded the widening of
the teaching of classical music, traditional modes of music
instruction underwent a major change involving a breakdown of the
gurushishya parampara or the tradition wherein the teacher imparted
knowledge to a chosen few. Caste and kinship were important
determining factors for the selection of these shishyas or
students, but in modern institutions like the universities these
boundaries had to be demolished. Simultaneously, the public staging
of music brought the performer into a new relationship with his
audience, especially as the art form became subject to validation
and criticism by the newly emerging music critic. In an immensely
readable book peppered with anecdotes and conversations with
leading musicians and critics of the day, as well as humorous
visual representations, part caricature, part satirical, the author
describes a rapidly changing society and its new look in early
twentieth century Madras.
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