Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art
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The Dark Side of Genius - The Melancholic Persona in Art, ca. 1500–1700 (Hardcover)
Loot Price: R2,791
Discovery Miles 27 910
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The Dark Side of Genius - The Melancholic Persona in Art, ca. 1500–1700 (Hardcover)
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In The Dark Side of Genius, Laurinda Dixon examines
“melancholia” as a philosophical, medical, and social
phenomenon in early modern art. Once considered to have a physical
and psychic disorder, the melancholic combined positive aspects of
genius and breeding with the negative qualities of depression and
obsession. By focusing on four exemplary archetypes—the hermit,
lover, scholar, and artist—this study reveals that, despite
advances in art and science, the idea of the dispirited
intellectual continues to function metaphorically as a locus for
society’s fears and tensions. The Dark Side of Genius uniquely
identifies allusions to melancholia in works of art that have never
before been interpreted in this way. It is also the first book to
integrate visual imagery, music, and literature within the social
contexts inhabited by the melancholic personality. By labeling
themselves as melancholic, artists created and defined a new elite
identity; their self-worth did not depend on noble blood or
material wealth, but rather on talent and intellect. By
manipulating stylistic elements and iconography, artists from
Dürer to Rembrandt appealed to an early modern audience whose gaze
was trained to discern the invisible internal self by means of
external appearances and allusions. Today the melancholic persona,
crafted in response to the alienating and depersonalizing forces of
the modern world, persists as an embodiment of withdrawn,
introverted genius.
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