"Inventing Film Studies" offers original and provocative insights
into the institutional and intellectual foundations of cinema
studies. Many scholars have linked the origins of the discipline to
late-1960s developments in the academy such as structuralist theory
and student protest. Yet this collection reveals the broader
material and institutional forces--both inside and outside of the
university--that have long shaped the field. Beginning with the
first investigations of cinema in the early twentieth century, this
volume provides detailed examinations of the varied social,
political, and intellectual milieus in which knowledge of cinema
has been generated. The contributors explain how multiple
instantiations of film study have had a tremendous influence on the
methodologies, curricula, modes of publication, and professional
organizations that now constitute the university-based discipline.
Extending the historical insights into the present, contributors
also consider the directions film study might take in changing
technological and cultural environments.
"Inventing Film Studies" shows how the study of cinema has
developed in relation to a constellation of institutions,
technologies, practices, individuals, films, books, government
agencies, pedagogies, and theories. Contributors illuminate the
connections between early cinema and the social sciences, between
film programs and nation-building efforts, and between universities
and U.S. avant-garde filmmakers. They analyze the evolution of film
studies in relation to the Museum of Modern Art, the American Film
Council movement of the 1940s and 1950s, the British Film
Institute, influential journals, cinephilia, and technological
innovations past and present. Taken together, the essays in this
collection reveal the rich history and contemporary vitality of
film studies.
""
"Contributors" Charles R. Acland, Mark Lynn Anderson, Mark Betz,
Zoe Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie
Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan,
D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia
White, Sharon Willis,
Peter Wollen, Michael Zryd
General
Imprint: |
Duke University Press
|
Country of origin: |
United States |
Release date: |
November 2008 |
First published: |
November 2008 |
Editors: |
Lee Grieveson
• Haidee Wasson
|
Dimensions: |
229 x 156 x 29mm (L x W x T) |
Format: |
Paperback
|
Pages: |
480 |
ISBN-13: |
978-0-8223-4307-3 |
Categories: |
Books >
Arts & Architecture >
General
|
LSN: |
0-8223-4307-X |
Barcode: |
9780822343073 |
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