One autumn night, fishermen discovered a corpse of a man on the
beach of El Chivo, in Havana. The victim, Miguel Forcade Mier, was
brutally murdered, with an unusual, almost inexplicable rage. This
crime will remove an old network of corruption and old ambitions
frustrated because, in fact, in the sixties Forcade had addressed
formally expropriation of art for the bourgeoisie seized after the
Revolution.
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