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Cut-Pieces - Celluloid Obscenity and Popular Cinema in Bangladesh (Paperback)
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Cut-Pieces - Celluloid Obscenity and Popular Cinema in Bangladesh (Paperback)
Series: South Asia Across the Disciplines
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Imagine watching an action film in a small-town cinema hall in
Bangladesh, and in between the gun battles and fistfights a short
pornographic clip appears. This is known as a cut-piece, a strip of
locally made celluloid pornography surreptitiously spliced into the
reels of action films in Bangladesh. Exploring the shadowy world of
these clips and their place in South Asian film culture, Lotte Hoek
builds a rare, detailed portrait of the production, consumption,
and cinematic pleasures of stray celluloid. Hoek's innovative
ethnography plots the making and reception of Mintu the Murderer
(2005, pseud.), a popular, Bangladeshi B-quality action movie and
fascinating embodiment of the cut-piece phenomenon. She begins with
the early scriptwriting phase and concludes with multiple
screenings in remote Bangladeshi cinema halls, following the
cut-pieces as they appear and disappear from the film,
destabilizing its form, generating controversy, and titillating
audiences. Hoek's work shines an unusual light on Bangladesh's
state-owned film industry and popular practices of the obscene. She
also reframes conceptual approaches to South Asian cinema and film
culture, drawing on media anthropology to decode the cultural
contradictions of Bangladesh since the 1990s.
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