"A product of old-fashioned, back-wearying, foundational
scholarship, yet very readable, this book is certain to feature
importantly in future studies of early jazz and its prehistory.
Highly recommended." --"Library Journal"
"This volume makes possible the study of the rise of black music
in the days that paved the way for the Harlem Renaissance--the
brass bands, the banjo and mandolin clubs, the male quartets, and
theatrical companies. Summing up: Essential." --"Choice"
Outstanding Academic Title
A landmark study, based on thousands of music-related references
mined by the authors from a variety of contemporaneous sources,
especially African American community newspapers, "Out of Sight"
examines musical personalities, issues, and events in context. It
confronts the inescapable marketplace concessions musicians made to
the period's prevailing racist sentiment. It describes the
worldwide travels of jubilee singing companies, the plight of the
great black prima donnas, and the evolution of "authentic" African
American minstrels. Generously reproducing newspapers and
photographs, "Out of Sight" puts a face on musical activity in the
tightly knit black communities of the day.
Drawing on hard-to-access archival sources and song collections,
the book is of crucial importance for understanding the roots of
ragtime, blues, jazz, and gospel. Essential for comprehending the
evolution and dissemination of African American popular music from
1900 to the present, "Out of Sight" paints a rich picture of
musical variety, personalities, issues, and changes during the
period that shaped American popular music and culture for the next
hundred years.
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