Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art
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Opening Doors - The Early Netherlandish Triptych Reinterpreted (Hardcover)
Loot Price: R2,836
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Opening Doors - The Early Netherlandish Triptych Reinterpreted (Hardcover)
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Opening Doors is the first book of its kind: a comprehensive study
of the emergence and evolution of the Netherlandish triptych from
the early fifteenth through the early seventeenth centuries. The
modern term “triptych” did not exist during the period Lynn
Jacobs discusses. Rather, contemporary French, Dutch, and Latin
documents employ a very telling description—they call the
triptych a “painting with doors.” Using this term as her
springboard, Jacobs considers its implications for the structure
and meaning of the triptych. The fundamental nature of the format
created doors that established thresholds, boundaries, and
interconnections between physical parts of the triptych—the
center and wings, the interior and the exterior—and between types
of meaning, the sacred and the earthly, different narrative
moments, different spaces, different levels of status, and,
ultimately, different worlds. Moving chronologically from early
triptychs such as Campin’s Mérode Triptych and Van Eyck’s
Dresden Triptych to sixteenth-century works by Bosch, and closing
with a discussion of Rubens, Jacobs considers how artists
negotiated the idea of the threshold. From her analysis of
Campin’s ambiguous divisions between the space represented across
the panels, to Van der Weyden’s invention of the “arch motif”
that organized relations between the viewer and the painting, to
Van der Goes’s complex hierarchical structures, to Bosch’s
unprecedentedly unified spaces, Jacobs shows us how Netherlandish
artists’ approach to the format changed and evolved, culminating
in the early seventeenth century with Rubens’s great Antwerp
altarpieces.
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