This manifesto is a verbal articulation of the authors'
visionary theory of how the human body, architecture, and
creativity define and sustain one another.
This revolutionary work by artist-architects Arakawa and
Madeline Gins demonstrates the inter-connectedness of innovative
architectural design, the poetic process, and philosophical
inquiry. Together, they have created an experimental and widely
admired body of work--museum installations, landscape and park
commissions, home and office designs, avant-garde films, poetry
collections--that challenges traditional notions about the built
environment. This book promotes a deliberate use of architecture
and design in dealing with the blight of the human condition; it
recommends that people seek architectural and aesthetic solutions
to the dilemma of mortality.
In 1997 the Guggenheim Museum presented an Arakawa/Gins
retrospective and published a comprehensive volume of their work
titled "Reversible Destiny: We Have Decided Not to Die.
Architectural Body" continues the philosophical definition of that
project and demands a fundamental rethinking of the terms "human"
and "being." When organisms assume full responsibility for
inventing themselves, where they live and how they live will merge.
The artists believe that a thorough re-visioning of architecture
will redefine life and its limitations and render death passe. The
authors explain that "Another way to read reversible destiny . . .
Is as an open challenge to our species to reinvent itself and to
desist from foreclosing on any possibility."
Audacious and liberating, this volume will be of interest to
students and scholars of 20th-century poetry, postmodern critical
theory, conceptual art and architecture, contemporary avant-garde
poetics, and to serious readers interested in architecture's
influence on imaginative expression.
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