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The Artistry of Aeschylus and Zeami - A Comparative Study of Greek Tragedy and No (Hardcover)
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The Artistry of Aeschylus and Zeami - A Comparative Study of Greek Tragedy and No (Hardcover)
Series: Princeton Legacy Library
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By means of a cross-cultural analysis of selected examples of early
Japanese and early Greek drama, Mae Smethurst enhances our
appreciation of each form. While using the methods of a classicist
to increase our understanding of no as literary texts, she also
demonstrates that the fifteenth-century treatises of Zeami--an
important playwright, actor, critic, and teacher of no--offer fresh
insight into Aeschylus' use of actors, language, and various
elements of stage presentation. Relatively little documentation
apart from the texts of the plays is available for the Greek
theater of the fifth century B.C., but Smethurst uses documentation
on no, and evidence from no performances today, to suggest how
presentations of the Persians could have been so successful despite
the play's lack of dramatic confrontation. Aeschylean theater
resembles that of Zeami in creating its powerful emotional and
aesthetic effect through a coherent organization of structural
elements. Both playwrights used such methods as the gradual
intensification of rhythmic and musical effects, an increase in the
number and complexity of the actors' movements, and a progressive
focusing of attention on the main actors and on costumes, masks,
and props during the course of the play. Originally published in
1989. The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
These editions preserve the original texts of these important books
while presenting them in durable paperback and hardcover editions.
The goal of the Princeton Legacy Library is to vastly increase
access to the rich scholarly heritage found in the thousands of
books published by Princeton University Press since its founding in
1905.
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