Over the past 20 years European theatre underwent fundamental
changes in terms of aesthetic focus, institutional structure and in
its position in society. The impetus for these changes was provided
by a new generation in the independent theatre scene. This book
brings together studies on the state of independent theatre in
different European countries, focusing on the fields of dance and
performance, children and youth theatre, theatre and migration and
post-migrant theatre. Additionally, it includes essays on
experimental musical theatre and different cultural policies for
independent theatre scenes in a range of European countries.
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