Books > Arts & Architecture > The arts: general issues > Forgery, falsification & theft of artworks
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Art as Plunder - The Ancient Origins of Debate about Cultural Property (Hardcover)
Loot Price: R2,115
Discovery Miles 21 150
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Art as Plunder - The Ancient Origins of Debate about Cultural Property (Hardcover)
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This book examines the ancient origins of debate about art as
cultural property. What happens to art in time of war? Who should
own art, and what is its appropriate context? Should the victorious
ever allow the defeated to keep their art? These questions were
posed by Cicero during his prosecution of a Roman governor of
Sicily, Gaius Verres, for extortion. Cicero's published speeches
had a very long afterlife, affecting debates about collecting art
in the 18th century and reactions to the looting of art by
Napoleon. The focus of the book's analysis is theft of art in Greek
Sicily, Verres' trial, Roman collectors of art, and the later
impact if Cicero's arguments. The book concludes with the British
decision after Waterloo to repatriate Napoleon's stolen art to
Italy, and an epilogue on the current threats to art looted from
archaeological contexts. Margaret M. Miles is an archaeologist and
art historian, now Professor of Art History and Classics at the
University of California, Irvine. She has held fellowships at the
American School of Classical Studies in Athens, the Institute for
Advanced Study in Princeton, and the American Academy in Rome. She
has excavated at Corinth and Athens, and did architectural
fieldwork at Rhamnous in Greece and at Selinunte and Agrigento in
Sicily. Her earlier publications include a study of the Temple of
Nemesis at Rhamnous (Hesperia, 1989) and a volume in the Agora
excavation series on the City Eleusinion, the downtown Athenian
branch of the Eleusinian Mysteries (The Athenian Agora, Vol. 31:
The City Eleusinion, 1998).
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