In an era of intensifying globalization and transnational
connectivity, the dynamics of cultural production and the very
notion of creativity are in transition. Exploring creative
practices in various settings, the book does not only call
attention to the spread of modernist discourses of creativity, from
the colonial era to the current obsession with 'innovation' in
neo-liberal capitalist cultural politics, but also to the less
visible practices of copying, recycling and reproduction that occur
as part and parcel of creative improvization.
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