This handsomely illustrated volume traces the intersections of art
history and paintings restoration in nineteenth-century Europe.
Repairing works of art and writing about them-the practices that
became art conservation and art history-share a common ancestry. By
the nineteenth century the two fields had become inseparably
linked. While the art historical scholarship of this period has
been widely studied, its restoration practices have received less
scrutiny-until now. This book charts the intersections between art
history and conservation in the treatment of Italian Renaissance
paintings in nineteenth-century Europe. Initial chapters discuss
the restoration of works by Giotto and Titian, framed by the
contemporary scholarship of art historians such as Jacob
Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was
redefining the earlier age. Subsequent chapters recount how
paintings conservation was integrated into museum settings. The
narrative uses period texts, unpublished archival materials, and
historical photographs in probing how paintings looked at a time
when scholars were writing the foundational texts of art history,
and how, simultaneously, contemporary restorers were negotiating
the appearances of these works. The book proposes a model for a new
conservation history, object focused yet enriched by consideration
of a wider cultural horizon.
General
Imprint: |
Getty Publications
|
Country of origin: |
United States |
Series: |
Getty Publications - (Yale) |
Release date: |
July 2021 |
Authors: |
Matthew Hayes
|
Dimensions: |
252 x 180 x 19mm (L x W x T) |
Format: |
Paperback
|
Pages: |
208 |
ISBN-13: |
978-1-60606-696-6 |
Categories: |
Books
Promotions
|
LSN: |
1-60606-696-X |
Barcode: |
9781606066966 |
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