This book challenges the status quo of studies in literature and
religion by returning to “experience” as a bridge between
theory and practice. Essays focus on keywords of religious
experience and demonstrate their applications in drama, fiction,
and poetry. Each chapter explores the broad significance of its
keyword as a category of psychological and social behavior and
tracks its unique articulation by individual authors, including
Conrad, Beecher Stowe and Melville. Together, the chapters
construct a critical foundation for studying literature not only
from the perspectives of theology and historicism but from the ways
that literary experience reflects, reinforces, and sometimes
challenges religious experience.
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