This book argues for the importance of popular music in
negotiations of national identity, and Germanness in particular. By
discussing diverse musical genres and commercially and critically
successful songs at the heights of their cultural relevance
throughout seventy years of post-war German history, Soundtracking
Germany describes how popular music can function as a language for
"writing" national narratives. Running chronologically, all
chapters historically contextualize and critically discuss the
cultural relevance of the respective genre before moving into a
close reading of one particularly relevant and appellative case
study that reveals specific interrelations between popular music
and constructions of Germanness. Close readings of these sonic
national narratives in different moments of national
transformations reveal changes in the narrative rhetoric as this
book explores how Germanness is performatively constructed,
challenged, and reaffirmed throughout the course of seventy years.
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