This book analyzes the rise of socially and politically engaged
Algerian documentaries, created in the period immediately following
the end of the Algerian civil war (1991-1999). It uses case studies
to highlight the works of four Algerian filmmakers, and devotes a
chapter to each: Malek Bensmail, Hassen Ferhani, Djamel Kerkar, and
Karim Sayad. The book makes visible productions that have been
overlooked not only in distribution circuits but also within
academia, and examines the political significance and the esthetic
power of some of the most influential Algerian documentaries
produced since the 2000s.
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