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Heiner Muller's Democratic Theater - The Politics of Making the Audience Work (Hardcover)
Loot Price: R2,946
Discovery Miles 29 460
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Heiner Muller's Democratic Theater - The Politics of Making the Audience Work (Hardcover)
Series: Studies in German Literature Linguistics and Culture
Expected to ship within 10 - 15 working days
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Analyzes not just Muller's texts but also the theatrical events
that emerged from them, showing that from the beginning of his
career Muller tried to create democracy both within and outside the
theater. The East German playwright Heiner Muller (1929-1995) is
one of the most influential European dramatists and theater
directors since Brecht. While critical literature on Muller often
discusses the politics of his works, analysis tends to stop at the
level of the text, neglecting the theatrical events that emerge
from it and the audiences for which it was written and performed.
Situating his study within Muller's interests in democracy and
audience activity,Michael Wood addresses these gaps in scholarship,
making an original contribution to the understanding of Muller's
work as playwright and director. In 1985, Muller spoke of the
importance of a "democratic" theater: one thatconfronts
theatergoers with densely contradictory material that they must
interpret for themselves, reflecting the complexity of material
reality and encouraging them to question their participation in
political life. Wood's studyshows that Muller sought to do this in
his combined 1988 production of Der Lohndrucker, Der Horatier, and
Wolokolamsker Chaussee IV: Kentauren, staged at a time when
questions of democracy were at the forefront of East German
consciousness. It also demonstrates that from the beginning of his
career Muller tried to make theater that would create a form of
democracy both within and outside the theater. Michael Wood is a
British Academy Postdoctoral Fellow at the University of Edinburgh,
where he received his PhD in 2014.
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