In this groundbreaking survey of the fundamentals, methods, and
formulas that were taught at Italian music conservatories during
the 19th century, Nicholas Baragwanath explores the compositional
significance of tradition in Rossini, Bellini, Donizetti, Verdi,
Boito, and, most importantly, Puccini. Taking account of some 400
primary sources, Baragwanath explains the varying theories and
practices of the period in light of current theoretical and
analytical conceptions of this music. The Italian Traditions and
Puccini offers a guide to an informed interpretation and
appreciation of Italian opera by underscoring the proximity of
archaic traditions to the music of Puccini.
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