This book is an examination of the music of the Balinese gender
wayang, the quartet of metallophones - gender - that accompanies
the Balinese shadow puppet play - wayang kulit. The book focuses on
processes of musical variation, the main means of creating new
music in this genre, and the implications of these processes for
the social and historical study of Balinese music, musical
aesthetics, concepts of creativity and compositional methods. Dr
Nick Gray tackles a number of core ethnomusicological concerns in a
new way, including the relationship between composition and
improvisation, and also highlights issues specific to Balinese
music, including the importance of flexibility in performance, an
aspect that has been largely ignored by scholars. Gray thus breaks
new ground both in the study of issues relating to improvisation
and composition and in Balinese music studies.
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