This book presents a new account of the complex relationship
between psychoanalytic theory and the key tragic dramas by
Sophocles and Shakespeare in which it has often sought exemplars
and prototypes. Examining the close historical and theoretical
connections between Freud’s interpretative appeal to tragic drama
and his professed abandonment of the ‘seduction’ hypothesis in
1897, the author explores the ways in which otherness has
subsequently been simplified out of both psychoanalytic theory and
the dramatic texts it endeavours to comprehend. Drawing on Jean
Laplanche’s critical reformulation of the seduction theory, the
book offers close rereadings of Oedipus Tyrannus, Julius Caesar and
Hamlet in order to outline an approach to tragedy which takes
account of the constitutive priority of the other in the itinerary
of the tragic subject. By reopening the theme of seduction in
relation to these key literary dramas, the book aims to generate a
better understanding both of the function which psychoanalysis has
called upon tragedy to perform, and the radical modes of otherness
within tragedy for which psychoanalysis has hitherto remained
unable to account.
General
Imprint: |
Verlag Peter Lang
|
Country of origin: |
Switzerland |
Release date: |
2009 |
First published: |
2009 |
Authors: |
Nicholas Ray
|
Dimensions: |
220 x 150 x 13mm (L x W x T) |
Format: |
Paperback
|
Pages: |
238 |
Edition: |
New edition |
ISBN-13: |
978-3-03-910501-4 |
Categories: |
Books
Promotions
|
LSN: |
3-03-910501-9 |
Barcode: |
9783039105014 |
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