Books > Language & Literature > Literature: history & criticism
|
Buy Now
Christian Rite and Christian Drama in the Middle Ages - Essays in the Origin and Early History of Modern Drama (Paperback)
Loot Price: R1,033
Discovery Miles 10 330
|
|
Christian Rite and Christian Drama in the Middle Ages - Essays in the Origin and Early History of Modern Drama (Paperback)
Expected to ship within 12 - 17 working days
|
Originally published in 1965. The European dramatic tradition rests
on a group of religious dramas that appeared between the tenth and
twelfth centuries. These dramas, of interest in themselves, are
also important for the light they shed on three historical and
critical problems: the relation of drama to ritual, the nature of
dramatic form, and the development of representational techniques.
Hardison's approach is based on the history of the Christian
liturgy, on critical theories concerning the kinship of ritual and
drama, and on close analysis of the chronology and content of the
texts themselves. Beginning with liturgical commentaries of the
ninth century, Hardison shows that writers of the period
consciously interpreted the Mass and cycle of the church year in
dramatic terms. By reconstructing the services themselves, he shows
that they had an emphatic dramatic structure that reached its
climax with the celebration of the Resurrection. Turning to the
history of the Latin Resurrection play, Hardison suggests that the
famous Quem quaeritis-the earliest of all medieval dramas-is best
understood in relation to the baptismal rites of the Easter Vigil
service. He sets forth a theory of the original form and function
of the play based on the content of the earliest manuscripts as
well as on vestigial ceremonial elements that survive in the later
ones. Three texts from the eleventh and twelfth centuries are
analyzed with emphasis on the change from ritual to
representational modes. Hardison discusses why the form inherited
from ritual remained unchanged, while the technique became
increasingly representational. In studying the earliest vernacular
dramas, Hardison examines the use of nonritual materials as sources
of dramatic form, the influence of representational concepts of
space and time on staging, and the development of nonceremonial
techniques for composition of dialogue. The sudden appearance of
these elements in vernacular drama suggests the existence of a
hitherto unsuspected vernacular tradition considerably older than
the earliest surviving vernacular plays.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.