"The Picture of Dorian Gray" altered the way Victorians
understood the world they inhabited. It heralded the end of a
repressive Victorianism, and after its publication, literature had
in the words of biographer Richard Ellmann a different look. Yet
the "Dorian Gray" that Victorians never knew was even more daring
than the novel the British press condemned as vulgar, unclean,
poisonous, discreditable, and a sham. Now, more than 120 years
after Wilde handed it over to his publisher, J. B. Lippincott &
Company, Wilde s uncensored typescript is published for the first
time, in an annotated, extensively illustrated edition.
The novel s first editor, J. M. Stoddart, excised material
especially homosexual content he thought would offend his readers
sensibilities. When Wilde enlarged the novel for the 1891 edition,
he responded to his critics by further toning down its immoral
elements. The differences between the text Wilde submitted to
Lippincott and published versions of the novel have until now been
evident to only the handful of scholars who have examined Wilde's
typescript.
Wilde famously said that Dorian Gray contains much of me: Basil
Hallward is what I think I am, Lord Henry what the world thinks me,
and Dorian what I would like to be in other ages, perhaps. Wilde s
comment suggests a backward glance to a Greek or Dorian Age, but
also a forward-looking view to a more permissive time than his own,
which saw Wilde sentenced to two years hard labor for gross
indecency. The appearance of Wilde s uncensored text is cause for
celebration.
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