Books > Language & Literature > Literature: history & criticism
|
Buy Now
Concepts of Manhood in Victorian Melodrama (Paperback)
Loot Price: R875
Discovery Miles 8 750
|
|
Concepts of Manhood in Victorian Melodrama (Paperback)
Expected to ship within 10 - 15 working days
|
Seminar paper from the year 2006 in the subject English Language
and Literature Studies - Literature, grade: 1,0, Johannes Gutenberg
University Mainz (Department of English and Linguistics), course:
Seminar Victorian Melodrama, language: English, abstract: In this
paper, we will be concerned with concepts of manhood in Victorian
melodrama, based on "Black-Eyd Susan" by Douglas Jerrold (1829),
"Money" by Edward Bulwer-Lytton (1840), "Masks and Faces" by
Charles Reade and Tom Taylor (1852), "The Ticket-of-Leave Man" by
Tom Taylor (1863), "Lady Audleys Secret" by Colin Henry Hazlewood
(1863), and "Caste" by Thomas William Robertson (1867). For a
comprehensive analysis of the two main characters of every play,
the hero and the villain (3.1 and 3.2), the general characteristics
and attendant circumstances of Victorian melodrama will be
delineated (2.1 and 2.2). In chapter (3), the characteristic traits
of heroes and villains will be elaborated and we shall see in which
respect they differ and which traits they possibly share. The last
chapter will attempt a conclusive explanation as to their
differences and the origins thereof. In order to illuminate the
various facets of manhood and gentlemanliness, this paper will
largely draw upon the ideas of John Ruskin concerning the nature of
man. Some plays, however, do not have villains or heroes who
strictly conform to stereotypes or clearly designate pure evil or
pure goodness. Some villainous characters are not innately evil and
can be brought back to the good side. Conversely, a hero is not
necessarily an innately good character but can fall prey to
temptations. The villainous and the virtuous do not only
distinguish themselves from one another by their morals but also by
varying degrees of manliness or gentlemanliness respectively. The
question that shall concern us here is in which way do they differ
concerning masculinity in general and in gentlemanliness in
particular. Is it justified to view the hero as being manlier
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
You might also like..
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.