A collection of essays that explores the relationship between opera
and the development of media technology from the late 19th to the
early 21st century. Examining the subject from an international
perspective, the contributing authors, all of whom have extensive
experience as academics and/or practitioners, cover a variety of
topics which include audio, video and film recording, contemporary
critical responses, popular and "high brow" culture, live and
recorded performance, lighting and performance technology, media
marketing and advertising.
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