In the 1940s and '50s, Richard Dyer-Bennet (1913-1991) was among
the best known and most respected folk singers in America. Paul O.
Jenkins tells, for the first time, the story of Dyer-Bennet, often
referred to as the "Twentieth-Century Minstrel." Dyer-Bennet's
approach to singing sounded almost foreign to many American
listeners. The folk artist followed a musical tradition in danger
of dying out. The Swede Sven Scholander was the last European
proponent of minstrelsy and served as Dyer-Bennet's inspiration
after the young singer traveled to Stockholm to meet him one year
before Scholander's death.
Dyer-Bennet's achievements were many. Nine years after his
meeting with Scholander, he became the first solo performer of his
kind to appear in Carnegie Hall. This book argues Dyer-Bennet
helped pave the way for the folk boom of the mid-1950s and early
1960s, finding his influence in the work of Joan Baez, Judy
Collins, and many others. It also posits strong evidence that
Dyer-Bennet would certainly be much better known today had his
career not been interrupted midstream by the anticommunist,
Red-scare blacklist and its ban on his performances..
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