Despite the volume of work Shakespeare produced, surprisingly few
of his plays directly concern money and the economic mindset.
Shakespeare and the Economic Imperative examines the five plays
that do address monetary issues (The Comedy of Errors, The Merry
Wives of Windsor, The Merchant of Venice, Measure for Measure and
Timon of Athens), plays in which Shakespeare's view of how economic
determinants shape interpersonal relationships progressively
darkens. In short, what thematically starts out in farce ends in
nihilistic tragedy. Working within the critical stream of new
economic criticism, this book uses formal analysis to interrogate
how words are used - how words and metaphoric patterns from the
quantifiable dealings of commerce transform into signifiers of
qualitative values and how the endemic employment of discursive
tropes based on mercantile principles debases human relationships.
This examination is complemented by historical socio-economic
contextualization, as it seems evident that the societies depicted
in these plays reflect the changing world in which Shakespeare
lived and wrote.
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