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Aristophanes in Britain - Old Comedy in the Nineteenth Century
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Aristophanes in Britain - Old Comedy in the Nineteenth Century
Series: Classical Presences
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In this lively and wide-ranging study, Peter Swallow explores the
reception of Aristophanes in Britain throughout the long-nineteenth
century, setting it in the broader context of Victorian Classicism
and, more specifically, the period's reception of Greek tragedy.
Swallow shows the surprising extent to which Aristophanes was
repurposed across an array of mediums in Victorian Britain, and
demonstrates that Aristophanic reception in the period was always a
process of speaking to contemporary issues—making Old Comedy new.
The book examines two strands of Aristophanic reception: the
political and the aesthetic. From the start of the long-nineteenth
century, the British reception of Aristophanes tied into
contemporary political debate, as historians, translators and
commentators, and even the burlesque writer J.R. Planché activated
Aristophanes in support of their own political positions. But each
writer's conceptualisation of Aristophanes was as different as
their political outlooks. While many writers who appropriated
Aristophanes for their cause were Tories, a notable outlier is
Percy Shelley, whose Aristophanic drama Swellfoot the Tyrant
activated Old Comedy to argue for democratic republicanism—what
we would now call a left-wing political revolution. The second
strand of Aristophanic reception, which developed from around the
middle of the nineteenth century, actively depoliticised Old Comedy
and instead received it through an aesthetic lens. The aesthetics
of Aristophanes—with an emphasis on the beautiful and the
archaeological—also lay behind school and university productions
of Old Comedy during this period. These strands of
nineteenth-century Aristophanic reception find synthesis towards
the book's conclusion. Edwardian women's receptions of Aristophanes
show how activists used his plays to argue for equal educational
opportunities and the right to vote. In the final chapter, Gilbert
Murray and George Bernard Shaw's receptions reveal both the
political and artistic potential of Aristophanes.
General
Imprint: |
Oxford UniversityPress
|
Country of origin: |
United Kingdom |
Series: |
Classical Presences |
Release date: |
September 2023 |
Authors: |
Peter Swallow
(Research Fellow, Department of Classics and Ancient History)
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Dimensions: |
234 x 153mm (L x W) |
Pages: |
320 |
ISBN-13: |
978-0-19-286856-5 |
Categories: |
Books
Promotions
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LSN: |
0-19-286856-X |
Barcode: |
9780192868565 |
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