In The Sound of Nonsense, Richard Elliott highlights the importance
of sound in understanding the 'nonsense' of writers such as Lewis
Carroll, Edward Lear, James Joyce and Mervyn Peake, before
connecting this noisy writing to works which engage more directly
with sound, including sound poetry, experimental music and pop. By
emphasising sonic factors, Elliott makes new and fascinating
connections between a wide range of artistic examples to ultimately
build a case for the importance of sound in creating, maintaining
and disrupting meaning.
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