Our knowledge of Debussy's life and music has increased
considerably during the last decade or so, largely through the
efforts of those working on the long overdue complete edition of
his music. Many of the contributors to this volume, first published
in 1997, have worked on various pieces in the complete edition and
the significance of their research is apparent here. Topics include
an examination of Debussy's working methods, his visual tastes and
his response to literature, his reception in England, as well as
aspects of performance practice. It also includes a close study of
Debussy's relationship to the poet Stephane Mallarme. An appendix
reproduces a discarded scene from Maeterlinck's 'Pelleas' for the
first time, and the book is particularly rich in previously
unpublished facsimiles and other little-known illustrative
material.
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