Poor, frustrated, and angered by the “fashion-mongers and
mode-purveyors” of art, Richard Wagner published The Art-Work of
the Future in 1849. It marked a turning point in his life: an
appraisal of the revolutionary passions of mid-century Europe, his
farewell to symphonic music, and his vision of the music to
come. Beethoven’s Ninth Symphony was unsurpassable, he
wrote. Henceforth "The Folk must of necessity be the Artist of the
Future," and only artists who were in harmony with the Folk could
know what harmony was for. The essay became a touchstone for
Wagner, his family, friends, and followers, as he sought to produce
works that thoroughly combined music, dance, drama, and national
saga. In addition to Wagner’s epoch-defining essay, this
volume includes his "Autobiographical Sketch," "Art and Climate";
his libretto for an opera, "Wieland the Smith"; and his notorious
"Art and Revolution." The concluding piece, "A Communication to My
Friends (1851), explains his views on his first successes—The
Flying Dutchman, Lohengrin, and Tannhäuser—and defines his
agenda for later works. As spokesman for the future, Wagner
spoke most of himself. In these works he set forth his ambitions,
identified his enemies, and began a campaign for public attention
that made him a legend in his own time and in ours.
General
Imprint: |
University of Nebraska Press
|
Country of origin: |
United States |
Release date: |
December 1993 |
First published: |
December 1993 |
Authors: |
Richard Wagner
|
Translators: |
William Ashton Ellis
|
Dimensions: |
203 x 133 x 26mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
422 |
Edition: |
2 |
ISBN-13: |
978-0-8032-9752-4 |
Categories: |
Books
|
LSN: |
0-8032-9752-1 |
Barcode: |
9780803297524 |
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