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The Sonic Episteme - Acoustic Resonance, Neoliberalism, and Biopolitics (Hardcover)
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The Sonic Episteme - Acoustic Resonance, Neoliberalism, and Biopolitics (Hardcover)
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In The Sonic Episteme Robin James examines how twenty-first-century
conceptions of sound as acoustic resonance shape notions of the
social world, personhood, and materiality in ways that support
white supremacist capitalist patriarchy. Drawing on fields ranging
from philosophy and sound studies to black feminist studies and
musicology, James shows how what she calls the sonic episteme-a set
of sound-based rules that qualitatively structure social practices
in much the same way that neoliberalism uses statistics-employs a
politics of exception to maintain hegemonic neoliberal and
biopolitical projects. Where James sees the normcore averageness of
Taylor Swift and Spandau Ballet as contributing to the sonic
episteme's marginalization of nonnormative conceptions of gender,
race, and personhood, the black feminist political ontologies she
identifies in Beyonce's and Rihanna's music challenge such
marginalization. In using sound to theorize political ontology,
subjectivity, and power, James argues for the further articulation
of sonic practices that avoid contributing to the systemic
relations of domination that biopolitical neoliberalism creates and
polices.
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