Architecture is distinguished from other art forms by its sense
of function, its localized quality, its technique, its public and
nonpersonal character, and its continuity with the decorative arts.
In this important book, Roger Scruton calls for a return to first
principles in contemporary architectural theory, contending that
the aesthetic of architecture is, in its very essence, an aesthetic
of everyday life. Aesthetic understanding is inseparable from a
sense of detail and style, from which the appropriate, the
expressive, the beautiful, and the proportionate take their
meaning. Scruton provides incisive critiques of the romantic,
functionalist, and rationalist theories of design, and of the
Freudian, Marxist, and semiological approaches to aesthetic
value.
In a new introduction, Scruton discusses how his ideas have
developed since the book's original publication thirty years ago,
and he assesses the continuing relevance of his argument for the
twenty-first century.
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