The genre of legal cinema is an extensive and revealing one: it is
a body of films that depicts lawyers, clients, criminals, judges,
and juries, often not as they actually are, but as we would like
them to be. The idealized courtroom of many legal movies tells us a
great deal about what we think of our justice system and what we
want it to reflect about America, but the films in the genre vary
widely in how they do this. From To Kill a Mockingbird to Liar,
Liar, from A Time to Kill to Twelve Angry Men, we see certain
stereotypes repeating themselves again and again: the judge as
stern referee, the jury as an ultimately fair body of
decisionmakers, the lawyer as hardworking and passionate fighter
for the underdog. In this new and comprehensive study of this
understudied category of film, author Ross D. Levi argues that,
contrary to popular belief, legal movies show us a system that is
far more fair than our actual one, with corruption downplayed and
greed made subordinate to compassion and compromise. With a
comprehensive filmography, penetrating analysis—both cinematic
and legal—and engaging discussion of a wide array of movies, The
Celluloid Courtroom is an indispensable guide to a key aspect of
American movies and American justice. The genre of legal cinema is
an extensive and revealing one: it is a body of films that depicts
lawyers, clients, criminals, judges, and juries, often not as they
actually are, but as we would like them to be. The idealized
courtroom of many legal movies tells us a great deal about what we
think of our justice system and what we want it to reflect about
America, but the films in the genre vary widely in how they do
this. From To Kill a Mockingbird to Liar, Liar, from A Time to Kill
to Twelve Angry Men, we see certain stereotypes repeating
themselves again and again: the judge as stern referee, the jury as
an ultimately fair body of decisionmakers, the lawyer as
hardworking and passionate fighter for the underdog. In this new
and comprehensive study of this understudied category of film,
author Ross D. Levi argues that, contrary to popular belief, legal
movies show us a system that is far more fair than our actual one,
with corruption downplayed and greed made subordinate to compassion
and compromise. These are films that have affected as much as
reflected the American justice system, as we enter the courts
hoping, often against hope, that they will be something like what
we've seen in the movies. With a comprehensive filmography,
penetrating analysis—both legal and cinematic—and engaging and
enlightening discussion, The Celluloid Courtroom is an
indispensable guide to a key aspect of American movies and American
justice.
General
Imprint: |
Praeger Publishers Inc
|
Country of origin: |
United States |
Release date: |
March 2005 |
First published: |
April 2005 |
Authors: |
Ross D. Levi
|
Dimensions: |
235 x 156 x 19mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
192 |
Edition: |
New |
ISBN-13: |
978-0-275-98233-1 |
Categories: |
Books
|
LSN: |
0-275-98233-5 |
Barcode: |
9780275982331 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!