This work challenges the field of British cultural studies to
return to the question of social class as a primary focus of study.
The chapters examine contemporary working-class life and its
depiction in the media through a number of case studies on topics
such as popular cinema, football, romance magazines and club
culture. The essays pose methodologies for understanding
working-class responses to dominant culture, and explore the
contradictions and limitations of the traditional Marxist model.
The book's contributors conclude that it is time for cultural
theorists to revisit issues of working-class cultural formations
and to renew the original radical intentions of the discipline by
reintegrating class analysis into social templates of race,
sexuality and gender.
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