For over forty years, Shyam Benegal has been one the leading forces
in Indian cinema. Informed by a rich political and philosophical
sensibility and a mastery of the art and craft of filmmaking,
Benegal is both of, and not of, Bollywood. As a philosophical
filmmaker Benegal brings to life the existential crisis of the
downtrodden Indian, the ‘subaltern’ if you will—the serf, the
peasant, the woman—and imposes a distinctive philosophical vision
on his cinematic reworkings of literary products. To understand
Benegal’s cinema is to understand, through his lens, modern
India’s continued process of political and social becoming.
Focusing on the philosophical depth of Benegal's oueuvre, Samir
Chopra identifies three key aspects of his work: - A trio of films
which signalled to middle-class India that a revolt was brewing in
India’s hinterlands - Two sets of movies which make powerful
feminist statements and bring viewers into the lives of Indian
women by showcasing strong, interesting female characters - Benegal
the master storyteller, who possessed of a unique fabulist style in
a reboot of the Indian epic Mahabharata, a Ruskin Bond novel set
during the Indian Mutiny of 1857, and a Rashomon-like retelling of
an Indian experimental novel, where three perspectives converge to
form a unified whole
General
Imprint: |
Bloomsbury Academic
|
Country of origin: |
United Kingdom |
Series: |
Philosophical Filmmakers |
Release date: |
2021 |
Authors: |
Samir Chopra
(Professor, Department of Philosophy)
|
Dimensions: |
216 x 138 x 19mm (L x W x T) |
Format: |
Paperback
|
Pages: |
208 |
ISBN-13: |
978-1-350-06355-6 |
Categories: |
Books
Promotions
|
LSN: |
1-350-06355-X |
Barcode: |
9781350063556 |
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