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The Clash Takes on the World - Transnational Perspectives on The Only Band that Matters (Paperback) Loot Price: R1,510
Discovery Miles 15 100
The Clash Takes on the World - Transnational Perspectives on The Only Band that Matters (Paperback): Samuel Cohen, James Peacock

The Clash Takes on the World - Transnational Perspectives on The Only Band that Matters (Paperback)

Samuel Cohen, James Peacock

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Loot Price R1,510 Discovery Miles 15 100 | Repayment Terms: R142 pm x 12*

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On their debut, The Clash famously claimed to be "bored with the USA," but The Clash wasn't a parochial record. Mick Jones' licks on songs such as "Hate and War" were heavily influenced by classic American rock and roll, and the cover of Junior Murvin's reggae hit "Police and Thieves" showed that the band's musical influences were already wide-ranging. Later albums such as Sandinista! and Combat Rock saw them experimenting with a huge range of musical genres, lyrical themes and visual aesthetics. The Clash Takes on the World explores the transnational aspects of The Clash's music, lyrics and politics, and it does so from a truly transnational perspective. It brings together literary scholars, historians, media theorists, musicologists, social activists and geographers from Europe and the US, and applies a range of critical approaches to The Clash's work in order to tackle a number of key questions: How should we interpret their negotiations with reggae music and culture? How did The Clash respond to the specific socio-political issues of their time, such as the economic recession, the Reagan-Thatcher era and burgeoning neoliberalism, and international conflicts in Nicaragua and the Falkland Islands? How did they reconcile their anti-capitalist stance with their own success and status as a global commodity? And how did their avowedly inclusive, multicultural stance, reflected in their musical diversity, square with the experience of watching the band in performance? The Clash Takes on the World is essential reading for scholars, students and general readers interested in a band whose popularity endures.

General

Imprint: Bloomsbury Academic USA
Country of origin: United States
Release date: December 2018
Editors: Samuel Cohen • James Peacock
Dimensions: 229 x 152 x 14mm (L x W x T)
Format: Paperback
Pages: 288
ISBN-13: 978-1-5013-4809-9
Categories: Books > Arts & Architecture > Music > Composers & musicians
Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Arts & Architecture > Music > Contemporary popular music > Rock & pop > Indie
Books > Music > Composers & musicians
Books > Music > Contemporary popular music > Rock & pop > Indie
Books > Music > Theory of music & musicology > General
LSN: 1-5013-4809-4
Barcode: 9781501348099

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