This book explores two festivals over ten years: Queer Zagreb and
Ljubljana Gay and Lesbian Film Festival. Kajinic focuses on the
festivals' participation in a regional network of queer festivals
and provides an insight into how these festivals and their
audiences negotiated the limits of non-normativity in particularly
intensive ways between 2002-2012. By offering an interdisciplinary
perspective and exploring the possibilities of critical visual
methodology, the author relates the history of these important
cultural projects and their organizational practices to the ways in
which they impacted the lives of their participants. Post-Yugoslav
Queer Festivals will be of interest to readers studying the region
of Southeast Europe from a range of perspectives including gender
studies, history, politics and festival studies.
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