Screenwriters have been central figures in French cinema since the
conversion to sound, from early French-language talkies for the
domestic market to lavish literary adaptations of the notorious
'quality tradition' of the 1950s, and from the 'aesthetic
revolution' of the New Wave to the contemporary popular and auteur
film in the 2000s. The first English language study to address
screenwriters in French cinema, this volume will be of particular
interest to scholars and students of French film and screenwriting.
Taking a diachronic approach, it includes case studies drawn from
the early sound period to the present day in order to offer an
alternative historiography of French cinema, shed light on these
overlooked figures and revisit the vexed question of film
authorship. -- .
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