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Sebastiano Serlio on Architecture, Volume 1 - Books I-V of "Tutte l`opere d`architettura et prospetiva" (Paperback)
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Sebastiano Serlio on Architecture, Volume 1 - Books I-V of "Tutte l`opere d`architettura et prospetiva" (Paperback)
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Few Renaissance theorists have influenced the development of
western architecture as much as Sebastiano Serlio (1475-1554). The
collection of books which represents his lifetime's work was to
become invaluable to the majority of northern European architects
who, never having seen Rome, none the less marvelled at Italian
antiquities. Hence when Christopher Wren designed St. Paul's
cathedral, and when John Wood designed the streets of Bath, both
architects had Serlio's books to hand. On his death Serlio had
published the first five volumes of the planned seven-book
treatise, and had witnessed their enormous popularity, especially
amongst the many patrons and architects eager to emulate the
splendours of antiquity and of Italian courts which sought her
renaissance. Serlio's treatise begins with the rules of geometry
and perspective, described in books one and two respectively,
knowledge of which formed the traditional preserve of the painter.
Serlio's beautiful woodcut illustrations in book three record the
Golden Age of the Roman Empire, her Baths, Temples, Palaces and
Arches, whilst his text in book four outlines the rules for
designing modern elements ranging from fireplaces to facades based
on these monuments. To the Tuscan, Doric, Ionic and Corinthian
columns which had been discussed by the Roman author Vitruvius and
the great quattrocento philosopher-architect Leon Battista Alberti,
Serlio added the Composite and thereby established a canon of five
Orders which held authority for over a century. The fifth book
illustrates the use of these Orders in twelve temple designs of his
own invention. This translation of Serlio's first five books by
Vaughan Hart and Peter Hicks replaces theonly other English
version, that produced in 1611 by Robert Peake, whose source was
not the original Italian but a corrupt Dutch translation. As such
this is the first English translation of Serlio's work to be based
on his own editions and the first collection in any language of all
five books taken from Serlio's corrected originals. It represents a
major step in the recognition of Sebastiano Serlio as the most
important architectural writer of the sixteenth century.
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