Queering the Popular Pitch is a new collection of 19 essays that
situate queering within the discourse of sex and sexuality in
relation to popular music. This investigation addresses the
changing debates within gay, lesbian and queer discourse in
relation to the dissemination of musical texts -performance,
cultural production and sexual meaning - situating music within the
broader patterns of culture that it both mirrors and actively
reproduces.
The collection is divided into four parts:
queering borders
queer spaces
hidden histories
queer thoughts, mixed media.
Queering the Popular Pitch will appeal to students of popular
music, Gay and Lesbian studies. With case studies and essays by
leading popular music scholars it provides insightful discourse in
a growing field of musicological research.
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