Books > Language & Literature > Literature: texts > Essays, journals, letters & other prose works > From 1900 > Reportage & collected journalism
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The Best American Magazine Writing 2016 (Paperback)
Loot Price: R414
Discovery Miles 4 140
You Save: R115
(22%)
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The Best American Magazine Writing 2016 (Paperback)
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List price R529
Loot Price R414
Discovery Miles 4 140
You Save R115 (22%)
Expected to ship within 12 - 17 working days
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This year's Best American Magazine Writing features outstanding
writing on contentious issues including incarceration, policing,
sexual assault, labor, technology, and environmental catastrophe.
Selections include Paul Ford's ambitious "What Is Code?" (Bloomberg
Businessweek), an innovative explanation of how programming works,
and "The Really Big One," by Kathryn Schulz (The New Yorker), which
exposes just how unprepared the Pacific Northwest is for a major
earthquake. Joining them are Meaghan Winter's expose of crisis
pregnancy centers (Cosmopolitan) and a chilling story of police
prejudice that allowed a serial rapist to run free (the Marshall
Project in partnership with ProPublica). Also included is Shane
Smith's interview with Barack Obama about mass incarceration
(Vice). Other selections demonstrate a range of long-form styles
and topics across print and digital publications. The imprisoned
hacker and activist Barrett Brown pens hilarious dispatches from
behind bars, including a scathing review of Jonathan Franzen's
fiction (The Intercept). "The New American Slavery" (Buzzfeed)
documents the pervasive exploitation of guest workers, and Luke
Mogelson explores the purgatorial fate of an undocumented man sent
back to Honduras (New York Times Magazine). Joshua Hammer
harrowingly portrays Sierra Leone's worst Ebola ward as even the
staff succumb to the disease (Matter). And in "The Friend," Matthew
Teague's wife is afflicted with cancer, his friend moves in, and
the result is a devastating narrative of relationships and death
(Esquire). The collection concludes with Jenny Zhang's "How It
Feels," an unconventional meditation on the intersection of teenage
cruelty and art (Poetry).
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