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Performing Rites - On the Value of Popular Music (Paperback)
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Performing Rites - On the Value of Popular Music (Paperback)
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Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan
or Keats? And how many friendships have ridden on the answer? Such
questions aren't merely the stuff of fanzines and idle talk; they
inform our most passionate arguments, distill our most deeply held
values, make meaning of our ever-changing culture. In Performing
Rites, one of the most influential writers on popular music asks
what we talk about when we talk about music. What's good, what's
bad? What's high, what's low? Why do such distinctions matter?
Instead of dismissing emotional response and personal taste as
inaccessible to the academic critic, Simon Frith takes these forms
of engagement as his subject--and discloses their place at the very
center of the aesthetics that structure our culture and color our
lives. Taking up hundreds of songs and writers, Frith insists on
acts of evaluation of popular music as music. Ranging through and
beyond the twentieth century, Performing Rites puts the Pet Shop
Boys and Puccini, rhythm and lyric, voice and technology, into a
dialogue about the undeniable impact of popular aesthetics on our
lives. How we nod our heads or tap our feet, grin or grimace or
flip the dial; how we determine what's sublime and what's "for
real"--these are part of the way we construct our social
identities, and an essential response to the performance of all
music. Frith argues that listening itself is a performance, both
social gesture and bodily response. From how they are made to how
they are received, popular songs appear here as not only meriting
aesthetic judgments but also demanding them, and shaping our
understanding of what all music means.
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