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Curating Opera - Reinventing the Past Through Museums of Opera and Art (Paperback)
Loot Price: R1,215
Discovery Miles 12 150
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Curating Opera - Reinventing the Past Through Museums of Opera and Art (Paperback)
Series: Ashgate Interdisciplinary Studies in Opera
Expected to ship within 12 - 17 working days
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Curation as a concept and a catchword in modern parlance has, over
recent decades, become deeply ingrained in modern culture. The
purpose of this study is to explore the curatorial forces at work
within the modern opera house and to examine the functionaries and
processes that guide them. In turn, comparisons are made with the
workings of the traditional art museum, where artworks are studied,
preserved, restored, displayed and contextualised - processes which
are also present in the opera house. Curatorial roles in each
institution are identified and described, and the role of the
celebrity art curator is compared with that of the modern stage
director, who has acquired previously undreamt-of licence to
interrogate operatic works, overlaying them with new concepts and
levels of meaning in order to reinvent and redefine the operatic
repertoire for contemporary needs. A point of coalescence between
the opera house and the art museum is identified, with the
transformation, towards the end of the nineteenth century, of the
opera house into the operatic museum. Curatorial practices in the
opera house are examined, and further communalities and synergies
in the way that 'works' are defined in each institution are
explored. This study also considers the so-called 'birth' of opera
around the start of the seventeenth century, with reference to the
near-contemporary rise of the modern art museum, outlining operatic
practice and performance history over the last 400 years in order
to identify the curatorial practices that have historically been
employed in the maintenance and development of the repertoire. This
examination of the forces of curation within the modern opera house
will highlight aspects of authenticity, authorial intent,
preservation, restoration and historically informed performance
practice.
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