What happens when a Native or indigenous person turns a video
camera on his or her own culture? Are the resulting images
different from what a Westernized filmmaker would create, and, if
so, in what ways? How does the use of a non-Native art-making
medium, specifically video or film, affect the aesthetics of the
Native culture?
These are some of the questions that underlie this rich study of
Native American aesthetics, art, media, and identity. Steven
Leuthold opens with a theoretically informed discussion of the core
concepts of aesthetics and indigenous culture and then turns to
detailed examination of the work of American Indian documentary
filmmakers, including George Burdeau and Victor Masayesva, Jr. He
shows how Native filmmaking incorporates traditional concepts such
as the connection to place, to the sacred, and to the cycles of
nature. While these concepts now find expression through
Westernized media, they also maintain continuity with earlier
aesthetic productions. In this way, Native filmmaking serves to
create and preserve a sense of identity for indigenous people.
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