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The Oxford Handbook of Mobile Music Studies, Volume 2 (Paperback)
Loot Price: R1,246
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The Oxford Handbook of Mobile Music Studies, Volume 2 (Paperback)
Series: Oxford Handbooks
Expected to ship within 12 - 17 working days
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The two volumes of The Oxford Handbook of Mobile Music Studies
consolidate an area of scholarly inquiry that addresses how
mechanical, electrical, and digital technologies and their
corresponding economies of scale have rendered music and sound
increasingly mobile-portable, fungible, and ubiquitous. At once a
marketing term, a common mode of everyday-life performance, and an
instigator of experimental aesthetics, "mobile music" opens up a
space for studying the momentous transformations in the production,
distribution, consumption, and experience of music and sound that
took place between the late nineteenth and the early twenty-first
centuries. Taken together, the two volumes cover a large swath of
the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico,
France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a
similarly broad array of the musical and nonmusical sounds
suffusing the soundscapes of mobility. Volume 2 investigates the
ramifications of mobile music technologies on musical/sonic
performance and aesthetics. Two core arguments are that "mobility"
is not the same thing as actual "movement" and that artistic
production cannot be absolutely sundered from the performances of
quotidian life. The volume's chapters investigate the mobilization
of frequency range by sirens and miniature speakers; sound vehicles
such as boom cars, ice cream trucks, and trains; the gestural
choreographies of soundwalk pieces and mundane interactions with
digital media; dance music practices in laptop and iPod DJing; the
imagery of iPod commercials; production practices in Turkish
political music and black popular music; the aesthetics of handheld
video games and chiptune music; and the mobile device as a new
musical instrument and resource for musical ensembles.
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