In "The Migrant Image" T. J. Demos examines the ways contemporary
artists have reinvented documentary practices in their
representations of mobile lives: refugees, migrants, the stateless,
and the politically dispossessed. He presents a sophisticated
analysis of how artists from the United States, Europe, North
Africa, and the Middle East depict the often ignored effects of
globalization and the ways their works connect viewers to the lived
experiences of political and economic crisis. Demos investigates
the cinematic approaches Steve McQueen, the Otolith Group, and Hito
Steyerl employ to blur the real and imaginary in their films
confronting geopolitical conflicts between North and South. He
analyzes how Emily Jacir and Ahlam Shibli use blurs, lacuna, and
blind spots in their photographs, performances, and conceptual
strategies to directly address the dire circumstances of dislocated
Palestinian people. He discusses the disparate interventions of
Walid Raad in Lebanon, Ursula Biemann in North Africa, and Ayreen
Anastas and Rene Gabri in the United States, and traces how their
works offer images of conflict as much as a conflict of images.
Throughout Demos shows the ways these artists creatively propose
new possibilities for a politics of equality, social justice, and
historical consciousness from within the aesthetic domain.
General
Imprint: |
Duke University Press
|
Country of origin: |
United States |
Release date: |
March 2013 |
First published: |
March 2013 |
Authors: |
T.J. Demos
|
Dimensions: |
235 x 155 x 21mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
368 |
Edition: |
New |
ISBN-13: |
978-0-8223-5340-9 |
Categories: |
Books
|
LSN: |
0-8223-5340-7 |
Barcode: |
9780822353409 |
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