For years thought lost, the original Waste Land ms. recently
surfaced in the Berg Collection, acquired by the New York Public
Library in 1968. The original, longer than the version finally
published and with handwritten annotations by Pound and Eliot, is
reproduced here in facsimile. The poet's widow, Valerie, who
supervised the project, provides editorial notes and a bio-critical
introduction. (Kirkus Reviews)
April is the cruellest month, breeding Lilacs out of the dead land,
mixing Memory and desire, stirring Dull roots with spring rain . .
. Published in 1922, The Waste Land was the most revolutionary poem
of its time, offering a devastating vision of modern civilisation
which has lost none of its power as we enter a new century.
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Review This Product
Worth the Effort
Mon, 23 Feb 2015 | Review
by: Judy Croome | @judy_croome
8:16 pm 23 February 2015
The Waste Land and Other Poems - T.S. Eliot
I've read (and listened to) this collection of poems half a dozen times. THE WASTE LAND is, without a doubt, still my favourite. It's hard to understand, pompous at times and so dense with allusions to other works I lose track of what's Eliot's work and what isn't. And yet ... on some atavistic level this poem still "talks" to me. The rhythm, the magic, the sheer (dare I say it) poetry in the lines (April is the cruellest month, breeding lilacs out of the dead land) draws a reader in and shakes up emotions I didn't even know I had.
The tension between the physical and the metaphysical is tremendous; Eliot clearly had a deep experience of how earthbound and limited we are by the very denseness of our bodies (...the last fingers of leaf Clutch and sink into the wet bank), while the voice of our souls rush by unheard (The wind Crosses the brown land unheard). THE WASTE LAND is a mournful cry of a man trapped in a world of harsh reality (it was written only four years afer the devastation of Europe in World War 1), sensing there is something more (Madame Sosostris), yet unable to feel or perhaps believe in it (... this card, which is blank,...,which I am forbidden to see). Here, in this poem, is the struggle between the intellect and the emotions (fear death by water - in the Tarot the water cards represent emotion), good and evil and man's lower, sexual nature and his higher, Divine nature.
What a brilliant, depressing, strong poem it is!
So strong, it almost overshadows the other poems in this collection. But ASH WEDNESDAY, with its tone of sorrow and penitance already obvious from the title, is another powerful poem, as is JOURNEY OF THE MAGI and the remainder of the poems.
In its struggle between hope and despair, this collection is as relevant today as it was in Eliot's time and is worth the effort it takes to try and grasp its elusive meaning.
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