"A Decade of Dark Humor" analyzes ways in which popular and
visual culture used humor-in a variety of forms-to confront the
attacks of September 11, 2001 and, more specifically, the
aftermath. This interdisciplinary volume brings together scholars
from four countries to discuss the impact of humor and irony on
both media discourse and tangible political reality. Furthermore,
it demonstrates that laughter is simultaneously an avenue through
which social issues are deferred or obfuscated, a way in which
neoliberal or neoconservative rhetoric is challenged, and a means
of forming alternative political ideologies.
The volume's contributors cover a broad range of media
productions, including news parodies ("The Daily Show with Jon
Stewart," "The Colbert Report," "The Onion"), TV roundtable shows
("Politically Incorrect with Bill Maher"), comic strips and
cartoons (Aaron McGruder's "The Boondocks," Jeff Danzinger's
editorial cartoons), television drama ("Rescue Me"), animated
satire ("South Park"), graphic novels (Art Spiegelman's "In the
Shadow of No Towers"), documentary ("Fahrenheit 9/11"), and other
productions.
Along with examining the rhetorical methods and aesthetic
techniques of these productions, the essays place each in specific
political and journalistic contexts, showing how corporations, news
outlets, and political institutions responded to-and sometimes
co-opted-these forms of humor.
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